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From: "Marcus C. Tate" Subject: Peter Coombe mandos - glowing review! (longish) Date: Thu Jan 9 10:33:25 1997 Hi folks, Before I get stuck in, let me state that the stuff below is unusolicited, and my only relationship to Peter is as a satisfied customer. OK, my mando is made from Australian tonewoods (King Billy Pine top and Queensland Blackwood back, sides, and neck), and so is not totally comparable with spruce-maple combos. However, the quality of workmanship is extremely high, and the mando looks very classy. it's all wood (including the pickguard, bindings, and ebony tuning pegs) with a French polish finish. You wouldn't believe the degree of flaming on the back, sides, and neck - lovely. Most importantly to me, it has the most beautifully mellow tone than I've ever heard in an A mando. It is much louder than my Gibson F5 (probably because of the X-bracing), and has fabulous projection. The action is very low, and the neck comfortable (it's a wider neck similar to those on early Gibsons). It easily beats 20's gendre Gibson A-1's in price, construction, and sound. Also, the tuning appears to be very stable, even given the humidity fluctuations here in Sydney, Aus. Peter recently also showed me some other mandos that he's made. Although I like mine best, he has used maple-spruce combinations, and has experimented with f-holes on A-style mandos. All are loud, fine instruments. The f-hole beast I heard had less projection and a brighter tone relative to the oval hole equivalents, and sounded more similar to F-style models (despite identical construction in all other respects; who says that the scroll contributes considerably to F-types? In my opinion, these would be great bluegrass/OT instruments. In short, this is the best mando that I have ever heard or played (and I've played more than a few in both N. America and Oz). In a way, the fact that I only payed $1300 Australian dollars for it makes me feel that I short-changed Peter, especially because the price also included $300 worth of custom work and a flight case! He has a website with a picture of my mandolin (I think), and I would be happy to provide more details via email to anybody interested. Hopefully by doing this I am helping to promote the great work of small mando makers, particularly here in Australia where the quality is high but the choices are few! Anyway, this has gone on too long, but suffice to say that anybody looking for a professional-quality celtic, classical, or bluegrass mando at an introductory price, should definitely talk to Peter. Cheers, |
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